Amateo is pleased to invite you to attend an inspirational event that will share innovative thinking and practice from colleagues working in participatory arts in the European cultural sector!
Many of us feel that during the pandemic the opportunity for active participation in culture is more important than ever. Our speakers and performers will help inspire and celebrate this work – and look to the future. As part of our campaign to raise the profile of the work of our network we are inviting the culture ministers from European countries to join us and find out more about the impact and importance of this work. We know that they are busy people and this is an ambitious request, but every great movement starts somewhere!
1:00pm | Introductions and Welcome 1:10pm | Tania Banotti – Director of Creative Ireland
Tania Banotti holds a Master’s in film in television from Dublin City University and studied politics and economics in Trinity College Dublin. She is a founder and former Chief Executive of Screen Producers Ireland (SPI). She has also worked for the National Campaign for the Arts (NCFA).
In June 2018, Tania Banotti was appointed as the Director of Creative Ireland, the Irish Government’s five-year plan to place the creative arts at the heart of communities throughout Ireland. The vision and intent of the Creative Ireland Programme is to promote collaboration between different levels of government and engagement with the broad cultural sector, creative practitioners, creative industries and the public. There is a need to encourage dialogue on how the Cultural and Creative sectors can engage the Irish public on climate change and in undertaking climate action, and to make themselves an essential part of the climate narrative.
Jasmina Ibrahimovic (b. 1984) is a Bosnian-born theater director, dramaturge and teacher in the field of community arts, living and working in The Netherlands. In 2010 she obtained her Masters in Contemporary Theater and Dance Studies at Utrecht University. She previously worked as a practice researcher at Community Arts Lab XL (CAL-XL) and was involved in Domain for Art Criticism in the workgroup ‘the quality of community arts’. She also worked as advisor theater, amateur art and community arts at the Amsterdam Fund for the Arts (AFK).
She is currently the artistic director of Rotterdam Community Theatre (Rotterdams Wijktheater) and the International Community Arts Festival (ICAF). She regularly gives lectures and workshops to art schools in the Netherlands about the essence of community art and the role of art in society. Since mid 2016 she has been a board member of the oldest community theatre group in the Netherlands; Stut Theater, and of one of the most renowned side specific theatre groups; PeerGroup. Jasmina is also a member of the international Leadership Circle of IMPACT-Imagining Together: Platform for Arts, Culture and Conflict Transformation.
1:40pm | Plenary – a chance to share responses and ask questions
2:10pm | Live Performance from Amateo participants A live performance event by groups that have been involved in Amateo’s Arts Take Part project
Week of Amateur Arts: the present and future of promoting amateur arts & participation
Discussion event / Zoom / Thursday 6 May 2021, 3pm – 4:30pm CET
Come and share with us your experience with the promotion of amateur arts!
One of the most popular and effective ways to encourage greater participation is the ‘Week of Amateur Arts’, an international event usually held in the months of May/June, wherein several countries work together and promote on a large scale different art forms, places, and events. The incredible power of art and cultural participation in different corners of Europe is revealed by festivals, workshops, events, conferences.
Our discussion will consider some of the issues facing organisers now and in the near future.
How do we coordinate participatory festivals in times of pandemic?
How have we dealt with getting online?
What have we learned that we will keep for the future?
Representatives from the UK, Slovenia, Slovakia, Netherlands and Czech Republic will introduce their festivals, methods and current challenges of the Week of Amateur Arts. How was it before the pandemic? What challenges do we see for the model for the future? In which ways can we give visibility and promote amateur arts?
Answers (and new questions) will arise in the following discussion and sharing of experiences. Come and join us!
Due to an insufficient number of applications we have had to cancel the June event. But CONNECT 2021 is not cancelled – it is just postponed until autumn, when we will hopefully be able to do a LIVE CONNECT. If you want to be informed about the new date as soon we set it, please leave your e-mail addressusing the button below.
CONNECT is an interactive programme offering an opportunity for cross-cultural collaboration, developing projects with partners and creative exchange through interdisciplinary workshops.
In 2021, the theme is ‘CONNECT to the unexpected’, and the focus will be on all sorts of community arts. Join us 4th – 6th of June to explore these themes, develop collaborative Pioneer Projects and apply for one of three grants of €2500 to develop these with partners.
Parallel with this organisers’ programme, there is an active workshop programme for enthusiastic non-professional artists from all disciplines, all age groups and all kind of communities. This year we offer two workshops:
LIVING POSTCARDS – Tamás Bakó and Márton Debreczeni
What are our options for personal and complex messaging, storytelling in today’s digitally overwhelmed social context? We will play with the possibilities of GPS triggering, motion stills, multilayer audio scapes, photo spheres with hidden codes and messages, and find out our personal version of a digital postcard. Tamás Bakó, dancer, teacher, choreographer. Member of numerous companies, Ismael Ivo, Marco Santi, Hodworks, Artus, freelance dancer and choreographer of many productions. Winner of Stuttgart Solo dance festival. Leading teacher of contemporary dance and contact dance improvisation in Budapest Dance Academy, teacher of professional contemporary dance schools, like SEAD / Salzburg, P.A.R.T.S. / Brussels, Manufacture HES-SO / Lausanne. Márton Debreczeni director, teacher. Member and director of Kompania and Artus Contemporary Arts Studio. Cross-field artist working with dance, fine arts, film, augmented reality. Choreographer for Budapest Philharmonic, composer of music for theatre performances and sound installations. Drama, and theatre in education teacher.
Postcards from home Maribor – Photini Papahatzi
What is HOME? Where do you feel like HOME and why? How does it feel in your new home? What do you miss? Is there an object that makes you feel HOME? A gesture, a movement, something abstract? Where is home? What does home mean? What does it symbolize and how is it defined? What is the role that the home can play in people’s lives? Ηome as an origin, as a natural environment, as the body itself, as the neighbourhood, the place, the country, the nation…
The concept of home provides a framework for a wide variety of photographic studies. At a time when migration is a daily event globally, we are returning to the concept of home, and in particular of the Hestia (Mythology).
‘Postcards from home’ is an international art community that reflects and creates on the theme of home. Postcards from home brings together local communities, refugees, immigrants and artists to reflect, create and send a postcard on the idea of HOME. Each postcard has on one side the picture taken from the participant and on the back side of the postcard the story of the photo, along with the details of the participant, if he/she want to share them. Visit www.postcardsfromhome.eu to see what home is for other people on this planet!
The overall vision with this workshop: To reflect, create and share your stories and photos of what home means for you and become a part of this international community. The workshop is addressed to everyone who wants to bring their experience, their thoughts and creativity on the concept of home: anything from the home tradition and customs that was left behind or brought forward, the family archive, the new home; a person that feels like home, an idea, an object or a memory.
PHOTINI PAPAHATZI Photini Papahatzi born in Athens, Greece is a cultural manager, certified non-formal learning adult trainer and a visual artist. Since 2016 she organizes the project “Postcards from home”, which she created during her fellow shop at START Create Cultural Change program (2016) and since then she organises the homonymous interdisciplinary workshop in collaboration with photographers, curators and organisations in various parts of the world. In 2021 she implements the research project “Postcards from home: Geography of feelings” with the support of the Hellenic Ministry of Culture. In 2020-2021, as a founding member of NGO Artifactory, she is working on the implementation of the project “Art + Culture vs Xenophobia” in the framework of Active Citizens Fund, of the EEA grants. She is a partner of AMAKA with which they implement the topos: Lefkada in 2020-2021. She has organised and participated in contemporary art exhibitions (most recent: 6th Thessaloniki Biennale of Contemporary Art, 2018, and The Provinces , TAF Athens 2019) and in photography exhibitions in NY, Cuba, UK, Germany, Greece, FYROM, Russia and Croatia. Her works are held in private collections in Greece and abroad. Her book “Elevador” is in the collection of the New York & Beinecke International Book Collection & Manuscript Library, Yale University, New Haven, USA. She is a member of the Chamber of Fine Arts of Greece. Website: http://www.photinipapahatzi.com
Dr. Beate Kegler researches and teaches to the topic of cultural work in rural areas, especially to the political aspects and meaning, chances and challenges of community arts for rural development. She is asked as cultural consultant by political bodies, cultural associations and networks and contributes to several juries of grant programs and scientific advisory boards. Before starting her academic career at the Department of Cultural Policy at the University of Hildesheim, Beate Kegler studied cultural sciences in Lüneburg (D) and London (GB) and ruled socio cultural organisations in remote territories. In the last years she has written a wide range of articles and contributed to publications like the European anthology “Vital Villages. Development of Rural Areas as a Challenge for Cultural Policy” (Vital Village bei transcript Verlag (transcript-verlag.de)). Together with her family she lives in a small village at the German North Sea coast.
11:15-12:30 Block 1 – Introduction into Connect Introduction of the programme and Connect open call & Introduction of participants. 11:15-12:30 Workshops Block 2
12:30 – 13:20 Break 13:20 – 13:30 Arrival
13:30 – 15:00 Workshop Block 3 13:30 – 15:00 Connect Block 2 World Cafe – Creating “Community art” – Various tables and Speed dating in the end
15:00 -15:15 Break
15:15-16:45 Workshop: Best practices & World cafe & Impressions from Workshops 15:15-16:45 Organizers programme: Best practices 1
ANASA (Winner of the Amateo Award 2020):
Anasa Cultural Center is a nonprofit, grassroots, civil society organisation working to eliminate racism, exclusion and discrimination, and promote multiculturalism and intercultural dialogue among peoples, while focusing greatly on the art forms of the African continent and its diaspora. Anasa started operating in 2010 and acquired legal status as a non-profit organisation in 2012 based in Athens, Greece. Since the beginning of our actions we have been working on empowering and integrating, through arts and culture, Greeks and young people of migrant descent who were either born in Greece or came as immigrants or refugees. ANASA offers a wide range of arts, such as circus, music, dance, singing, literature, narration, theatre, painting and gastronomy, and implements pedagogical programs and solidarity actions throughout the school year. The founders of Anasa are youth of African descent who have been born and raised in Greece and who are constantly working towards racial equality in Greece, always through the powerful tools of performing and fine arts. Nowadays Anasa has built a wide audience from different cultural backgrounds and collaborates with young professionals of Greek and migrant descent regarding administration, social media, and artistic events. The Social Circus Project is an arts and culture initiative which uses circus techniques to share the beauty of skill, art, team work, and self-discipline to youth locals of Greek, migrant or refugee backgrounds. Trainers in circus arts, such as juggling, monocycling, acrobatics, stilt technique, and rhythm games have come together to share their knowledge with youth aged 12-18 who were born and/or grew up in Greece or who arrived in the country recently. Conceptualized in 2014 and trying out some local circus meetings with Roma youth, the social circus team officially started doing outreach programmes in 2018 in refugee shelters, asylum centres, and camps around Athens, Greece. This led to a weekly 3-hour training in 2019 open to all kids of migrant or Greek origin in Kerameikos area. In the summer of 2020 the Social Circus Project of Anasa won the Amateo Award for its voluntary aspects on amateur arts for youth. At the moment the project is trying to launch an online version with tutorials and virtual meetings.
Branka Cvjetičanin, General Artistic Programme Manager of „27 Neighbourhoods“, a flagship program within Rijeka 2020 EcoC. She is an intermedia artist, curator and cultural worker. She is working on a different artistic and cultural programs in rural and post-industrial areas in Croatia and internationaly where she brings together artists and communities in creative practice, where dialogue and art practice meets social visibility. In 1999 she initiated the idea of the Polygon – an organisation as a format of experimenting the organisation structure and setting up the space for artistic-antropological research – http://www.polygon.hr. Branka Cvjetičanin studied various forms of performing arts, site-specific theater direction and art production (MAPA Amsterdam, Internship @Oerol Festival Terschelling). She holds the PhD on UN Urbanism from the Bauhaus Kollege Dessau.
11:15-12:30 Block 4 – Developing a project From the idea to a result – what’s different in different countries? How to deal with diversity? What’s the difference between interculture and transculture? 11:15-12:30 Workshops Block 5
12:30 – 13:20 Break 13:20 – 13:30 Arrival
13:30 – 15:00 Workshop Block 6 13:30 – 15:00 Block 5 Open Working Space for the groups & World cafe
15:00 -15:15 Break
15:15-16:45 Workshop: Best practices & World cafe & Impressions from Workshops 15:15-16:45 Organizers programme: Best practices2
The Yoram Loewenstein acting school
is located in the most neglected neighbourhood in Tel- Aviv, “the neighbourhood of hope”. The uniqueness of the school is in the combination between the highest level of professional acting studies with community work in the neighbourhood where the school is located. Few such institutions exist around the world. As part of the training to become professional actors, the acting students are committed to lead 300 participants in 19 drama groups within the community such as: children and youth at-risk, children with special needs and emotional problems, youth with mental problems, youth at risk youth from the religious sector, elementary schools in the neighbourhood, blinds and partly blinds, senior homeless youngsters, prisoners’ children and many more. Our youth at risk groups represented Israel in an international festival around the world. Our community works empower the neighbourhood residents and gives them tools for individual growth and development. Furthermore, the studio operates subscription project for the residents of our neighbourhood, who can attend the shows which are produced in our theatre hall. For most of the people in the community it is the first time in their lives to see theatre. By attending our shows (which are played by the third year acting students) they are exposed to the best classic and modern theatre repertoire. Halil Itzhak graduated at the Yoram Loewenstein Acting Studio in 2000. He has featured in numerous television shows and commercials. He has performed in various theatres: Habima national theatre, Herzliya Theater, Tzavta Theater, Tmoona Theater and in various children’s theatres. Since 2003 he has been working at Yoram Loewenstein Performing Arts Studio as a Community Program Coordinator (working with children at risk, elderly, people with disabilities, youth at risk, migrants, homeless youngsters and more). Halil led international workshops – “from imagination to improvisation” (Thailand, Germany, Slovenia, Czech Republic, Austria and more).
17:00 -19:00 Local Safari and “Get together for a drink”(all together)
Cultural society Stična has over 100 members in its groups. It involves theatre, music, folklore and instrumental activity and Festival Stična, which is the society’s overall project. The theatre section has three groups: adult, youth and children group Drzne in lepi, in the last years each group does one theatre production and hosts with it throughout the year in the wider area. Since 2004 the Folklore group Stična has been extremely successful, which attracted a lot of youth; besides numerous performances in Slovenia and abroad the group also prepares an annual independent evening concert. In 2010 was formed also youth group. The singing section is increasingly re-developing. For several years a male vocal cast Boys Octet and mixed choir Zborallica are also a big part of the Cultural society Stična. In 2012 the String orchestra of Cultural society Stična was established which brings together musicians from the Ivančna Gorica municipality. The big band was established in 2017 and is led by the Slovenian musician Mr. Braco Doblekar. He played in well-known bands in Slovenia as are September, Hazard, The Generals and others. Two years later joined to society also etno folk group Gross upi. All members and all the sections of Cultural society Stična have Festival Stična in common. Festival Stična should marked its twentieth anniversary in 2019, but because of virus COVID-19 it was not possible. Since 2006 festival became international. More than 250 native and foreign artistic groups performed on the stages of Stična. Through theatre, music, art and other events Festival Stična educates and promotes creativity, innovation, multiculturalism and unrecognized local artists.
*Amateo can make changes to the programme in the future due to practical and logistic reasons
To register, please complete this short form. This will provide the introductory text for all participants and support you to link with potential partners.
There is a €35 participation fee, that will be collected following registration. Following payment, access to all conference materials and sessions will be provided.
We recognise that many organisations and individuals are struggling financially at this time, so we can offer a limited number of sponsored places. If you would like to apply, please email: email@example.com
Make culture central in the EU Recovery | Open letter
Amateo has co-signed the second open letter, alongside Culture Action Europe and 108 other networks and associations from across Europe!
Following the open letter published by 110 pan-European networks on 30 October 2020 “Make culture central in the EU recovery”, the group comes together again to reiterate their call to the national governments and the European Commission. In the second open letter, published today by the group, coordinated by Culture Action Europe, the European cultural community call on the Member States and the European Commission to secure a future for culture and cultural life in Europe.
Culture must be included in each and every National Recovery and Resilience Plan (NRRP) that EU countries should present to the European Commission before the 30 April deadline. The representatives of the European cultural ecosystem urge governments to dedicate at least 2% of the Recovery Fund to culture and put culture as a priority sector when using funds from Next Generation EU. In addition, 110 cultural networks call on the Member States to engage with the representatives of their cultural communities and civil society organizations in the design and implementation of the NRRPs. “Long-term structural support to rebuild the European cultural ecosystem needs to be co-developed, involving all relevant stakeholders, both public and private”, – reads the letter.
Ensuring that culture is explicitly included in the NRRPs will help secure both the future of the sector and its important contribution to Europe’s future. Reinvigorating the cultural ecosystem not only offers hope to millions of workers who saw their jobs endangered by the pandemic, it can also create new meaning and purpose to all Europeans and the European project.
CONNECT the unexpected MARIBOR, SLOVENIA, 4TH-6TH JUNE 2021
CONNECT to find a partner for your next international project or to create a pan-European, interdisciplinary creative work with other amateur artists.
CONNECT2021 is a two strand programme, running parallel, with some moments together.
One part of the programme is for professional and amateur arts organisations, networks and policy makers. CONNECT offers three days of inspirational presentations, sharing and visits to local initiatives, during which you identify partners and work with them to develop a proposal for a transnational, interdisciplinary pilot project. Three of these project ideas will be granted with an Amateo grant of € 2,500 each.
Alongside this programme, a three day creative workshop programme for amateur arts practitioners (all art-form and ages; 18+). Collaborating with arts practitioners with a range of specialisms, participants will create an interdisciplinary work responding to the theme ‘Home’.
CONNECT2021 looks at the theme of ‘Home’ through the lens of Community Arts practice. We will look at ways that ‘professional’ arts organizers and networks work with non-professionals to develop interventions using shared knowledge, skills and experience to actively make a change in society.
How do we work with communities that are different from our own?
How do we build bridges between different communities?
And how do we make these projects and changes sustainable?
Parallel workshops, led by professional artists, will deal with the same theme in a practical way, using materials, created during Amateo’s ‘Postcards from Home’ project (running since November 2020) as inspiration.
04/05/06 June 2021
MARIBOR, Slovenia (and online*)
WHO IS IT FOR?
People of all ages who want to work internationally and interdisciplinary and have experience with one or more artform
Students interested in community arts facilitation, as well as people who have recently finished their studies.
Organisations/artists who are working in community based art projects and want to develop their practice and network.
Network organisations and policy makers
WHAT’S ON OFFER?
Three days to:
Enjoy art initiatives and performances
Hear inspiring keynote speakers, share knowledge and experience
Meet colleagues and creative citizens from all over Europe
Explore the cultural field in Maribor and its surroundings
Get to know each other, find a potential partner and design a small project together. Amateo awards three project proposals with a € 2,500 grant to develop the idea
HOW DOES IT WORK?
We set aside three days to be immersed in good company; watching, listening, talking, designing and making art with non-professional artists. Approaches and contexts vary hugely across Europe, CONNECT is a platform where people can share, be curious and test ideas together, which has resulted in successful long term collaboration.
*CONNECT2021 will be a hybrid physical event and will make it possible for people who cannot travel to join live events virtually. If Europe is still in lockdown the event will be completely virtual (final decision at the end of April 2021)
The full programme will be published before the end of April. Want to know more? Email us at pioneersamateo.org.
The cost will be € 200 per person for the organization’s programme / € 100,– per person for the creative workshop (this participation fee includes food and shared accommodation in Maribor, a small number of bursaries will be available for those unable to pay). Online participation is €35
Member country: Belgium Contact person:Bram De Win, project coordinator
OPENDOEK is the umbrella organization supporting amateur theatre in Flanders and Brussels (Belgium) and wants to reach out to everybody who has a passion for theatre, individual artists as well as theatre companies.
OPENDOEK wants to inspire the field and create a platform to promote and renew amateur theatre. It wants to expand the field and remove boundaries of artists, theatre groups and stage art in general. OPENDOEK is open to everybody, every theatre style, every specialism and all new developments. It puts effort into the hybridity of the theatre field. OPENDOEK offers members and companies organizational and artistic support like insurance, copyright advice, the theatre library, workshops, coaching…
Furthermore, it stimulates creativity, organizes meetings, creates interaction through festivals, diverse projects, encounters… to let amateurs and professionals share experience and inspiration with each other. Through JongDOEK and AGE on stAGE, young and old people get mobilized and inspired to work on the theatre of the future and through initiatives and cooperation OPENDOEK encourages governments to support the amateur arts.
OPENDOEK also works on the internationalization of amateur arts. Through its policy, OPENDOEK works with 4 important parameters and verifies them in every aspect of the organization: inclusive, diverse, sustainable and professional.
Het Forum voor Amateurkunsten in Flanders has been the administrative home of Amateo for a long time, and they recommended us to join the Amateo network. For OPENDOEK it is important to meet international partners in order to create sustainable collaborations.
Importance of international cooperation?
All these different origins have different views and perspectives on the world we live in. These connections enrich our organizations and lead us to new creative development.
Best case scenario, the network will grow with more members and countries and these members will inspire each other. This will result in more and greater collaborations.
If you want to read more about OPENDOEK, please visit their web page!
Member country: Portugal Contact person:Roberto Estorninho, chairman of the board
Ideias do Levante is a non profit cultural association based in the south of Portugal, in the Algarve, in the city of Lagoa. As a cultural association, we stage events, festivals, provide education about performing arts and fine arts. And we promote healthy and sustainable activities.
It was inspired by the restlessness of the wind, which gave it its name, which emerged as the non-profit, the Cultural Association of Lagoa – Ideias do Levante, on 27 April 1995. At its origin, there was a group of young people who, bewitched by the south-east wind and by the force of their ideas, desired to foment culture in the Municipality of Lagoa under the motto “grab your dreams!”.
There are several cultural activities (and other activities) that the association develops throughout each year in order to build new audiences and participants for the association. Among all these activities, we highlight the regular classes, training and workshops in various aspects, and the nuclei of the association, namely in the areas of Theater, Music, Dance, Cinema, Photography, and the Internet.
We have joined the Amateo network to connect with other institutions and to share knowledge and support. By connecting internationally we will be profiting from a better understanding regarding different realities, different cultures and different ways to act and to react.
We believe that Amateo, as a network, can make the difference and add value to culture, locally and globally. On behalf of Ideias do Levante, we are so grateful to be part of it.
If you want to read more about Ideas do Levante, please visit their web page!
Member country: Czech Republic Contact person:Tamara Pomoriski, M.A., theatre maker, artistic director
Post Bellum is a non-governmental, non-profit organization which documents the memories of witnesses of the important historical phenomena of the 20th century and which tries to pass these testimonies on to the broader public since 2001. We are led by the conviction that witnesses of historic events need to have an opportunity to tell their stories in detail and in their entirety. These memories bear precious testimony not only about modern history, but about the character of the Czech people as well. If they are not preserved for the present-day and future generations, the society will hardly be able to cope with its history of totalitarianism. Our aim is to form a collection of interviews as extensive as possible – a collection of authentic personal stories and testimonies.
Apart from recording witnesses’ memories, Post Bellum tries to pass on their stories to the broader public. We prepare exhibitions, publish books and organize social events. We continuously search for new ways of getting people interested in the topic, of stirring up a society-wide debate on democratic values. Memory of Nation’s Theatre is an educational and creative project for youngsters. The participants learn about the stories and historical events of the 20th century and get to know the different perspectives, circumstances and attitudes of people who have experienced the dramatic moments of World War II and Communism. On the basis of a specific story, participants will understand the historical context of the 20th century and become familiar with the essence of totalitarian regimes. The project offers to young people the opportunity to respond to recent historical events.
Post Bellum wants to be part of a network of partner organizations within and without Europe, and is actively working to create and develop such a network. We bring together documentarians, historians, journalists, teachers and artists in order to preserve peoples’ memories, develop critical thinking and support the values at the core of our society.
Importance of international cooperation?
We want to bring together people who care about the past and who support its preservation – not only through theatre and not only among young people. Our goal is to expand this approach within Europe and beyond. Our international collection, www.memoryofnations.eu, is one of the broadest open databases of witness testimonies and contains hundreds of recordings of foreign witnesses from tens of countries.
Thanks to Amateo, we have established cooperation with several international partners (from the Netherlands, Germany, Estonia and Belgium) at the Memory of the Nation’s Theatre and created amazing projects such as Hidden Tracks, Meeting Unknown and We are the Memory. We look forward to new international friendships and new projects!
If you want to read more about Post Bellum, please visit their web page!
Amateo invites you to join this special online conference where we will discuss how participatory arts can help to tackle the big issues in our world. We will hear from experts from across Europe, share our past experiences and think positively and ambitiously about the future.
By means of best practices we want to explore new opportunities and inspire practitioners and organisers of participatory arts, politicians, and others. Together with inspiring experts, we’ll assess ways to collaborate and Reset the Stage by means of some examples that go beyond art for art’s sake, they make art for our sake.
During some engaging and interactive sessions we’ll try to find answers to these questions: How to stimulate collaboration between the participatory arts and other sectors/domains (like health & wellbeing / Sustainable Development Goals / biodiversity / agriculture / shrinkage areas / children’s rights / gender equality). And how can local/regional government authorities become cooperation partners of organisations in the voluntary and amateur arts?
How do we tackle global problems with imagination, beauty and creativity?
As well as an inspiring session in the morning, you will also have the chance to present your own ideas or proposals on creative community art projects that aim for broader societal impact in the afternoon programme. No slides, no sales pitches – just inspiring ideas! The stage is yours…
Merlijn Twaalfhoven will send us into the weekend with an inspiring workshop: Long-term thinking for a short-term world.
Andreas Ceska (AT), Art Director, Theatre for Education: ‘Using performing art with children and young people in India, for children’s rights, education, health care, gender equality and against poverty and climate change’. More about Andreas….
Sjoerd Feitsma (NL), Director of Platform ACCT (Platform Labor Market Cultural and Creative Future) and former councilor of the city of Leeuwarden (European Capital of Culture 2018): ‘Opportunities for governments in collaboration with the cultural and creative sector’. More about Sjoerd…
Merlijn Twaalfhoven (NL), Director, The Turn Club, musician, composer and organiser of (music) events: ‘Tackling world problems with imagination, beauty and creativity’. More about Merlijn…
Do you have an idea worth spreading? Have you thought of a project or are you currently bringing a project to life? Do you have an inspiring idea you want to share, or are you looking for tips/European partners? We are looking for 2-3 minute talks about ideas or proposals on creative community art projects that aim for broader societal impact. No slides, no sales pitches – just inspiring ideas! The stage is yours…
14:00 – 15:00 (CET)Workshop Merlijn Twaalfhoven: Long-term thinking for a short-term world
Underneath all the major problems the world is grappling with is one crystal clear cause; we only think of the short term. In this workshop, Merlijn Twaalfhoven takes us out of this time bubble. He takes us on a tour of how we can see beyond our own generation. A new way to stand in time so that we can ultimately be a good ancestor to our grandchildren’s children. How can we give voice to future generations? And how can creativity help us to realize that we can do things ourselves?
Moderation: Jan-Willem van Kruyssen & Francesca Robson
Registration is closed. This event took place on 22 January 2021.
Member country: Belgium Contact person:Jan Matthys, CEO
VLAMO wants amateur instrumental music to flourish in Flanders, Belgium. We work for 1200 amateur orchestras (or 65000 musicians) around Flanders. Most of the orchestras are wind bands and fanfare orchestras (typical for the low countries), but we also have members which are brass bands, symphony orchestras, string orchestras, pipe bands, show bands, drum bands, accordion orchestras, majorettes and twirlers, etc.
We have a broad range of services. We support our members with advice, workshops, masterclasses and webinars. We organise events, festivals, projects and competitions. We have a music library with 40000 music scores, recordings, books and magazines. But maybe most important, we want to be a platform and connect people in real life and through digital platforms. We try to improve the image of our amateur music scene. Through advocacy we try to improve the framework for amateur orchestras and musicians.
We joined Amateo to exchange knowledge and to make international connections. In the first years going to the annual Amateo conference was also a team building activity for the Flemish amateur arts organisations, which was really fun!
Importance of international cooperation?
We all live in a European context and sharing knowledge can be interesting for all members. Benchmarking can be useful for advocacy and policy workers. Flanders is a small region in the heart of Europe. For us it is unthinkable not to cooperate internationally. The borders of our neighboring countries are always very close. For our members it is always an enriching experience to go abroad, meet other European orchestras and cultures. It confronts us with the beautiful diversity within the European Union, and at the same time it strengthens the unity of the union.
I hope Amateo becomes a strong network and the go-to organisation for people who have questions about amateur arts in Europe. It would be very nice if we could put the amateur arts higher on the European agenda. The amateur arts can be used as a tool to build a more connected Europe. It can help to build an open, diverse and inclusive society.
If you want to read more about VLAMO, please visit their web page!